Cinema & City Essay Example | Topics and Well Written Essays - 2500 words

Cinema & City - Essay ExampleThus the first filmtic clip was that of a city. Cinematic images of cities shed light on the past and future of urban spaces the crises and sensations of the inhabitants of the city are projected through cinemas endless capacity to contrast the urban and corporal (Barber, 2002)Wim Wenders Der Himmel ber Berlin /Wings of Desire (1987) and Tom Tykwers Lola rennt/Run Lola Run (1998) are two films which showcase the city of Berlin. The former portrays the divided Berlin of the cold-war era and the latter the modern city afterwards the reunification of Germany and its capital.The city of Berlin possesses a unique history which has always been entwined with European history. At the start of the twentieth century Berlin desired to replace Paris and capital of the United Kingdom as the leading European metropolis and become the cultural capital of Europe. After Hitlers coming to power, it became the place where the destiny of millions of people was decided. Th is era of Berlins history is its about shameful and old Berliners have tried to erase this period from their city and memory both. After the Second World War the devastated city was separated into easternmost and West Berlin and thus became a unique place where communism and capitalism were confronting each other. The icon of the division, the Berlin Wall, was erected in 1961, and was dismantled in 1989, which smoothed the way for reuniting Germany in 1990. In 1991 Berlin was named the capital of the new unified state of Germany. Nowadays Berlin has changed drastically and claims to be the city of the future and is known all over the world for its determined architectural projects and bold decisions in urban planning. It has re-invented itself a dozen times and continues to do. The new city of Berlin is a symbol of defeat of both communism and its national socialist past and hope and development for the future. Berlin and cinemaBerlin is also famous as a city from the point of vi ew of its various world famous portrayals in text and film, starting with Berlin Symphony of a Great City(1927) by Walter Ruttmann and Alexanderplatz by Alfred Dblin (1929) to the modern Wings of Desire (1987) by Wim Wenders and Run Lola Run (1998) by Tom Tykwers. Since the 1960s artists have arranged artworks and shows in the world areas of the city which criticized the cold war order and institutions, and later on the frantic attempt by the German regime to erase the past after downslope of the Berlin Wall. Portraying Berlin means looking at a city that has undergone remarkable changes over the last century in which an emperor was banished and a new nation was created then failed, being followed by a Nazi dictatorship ending up in Germanys division which has now been overcome, but, naturally left its scars. Additionally, capitals and their self-perception are of ample importance to a nations identity, which is especially true for Berlin, a city owning the status of a full-blown metropolis, unlike any other German city (Clarke, 2006151)Since 1945 the film industry has target singular emphasis on screening a citys development, in chronological as well as in visual terms. Inversely a city itself can project a definite cinematic class which can be experienced in daily life. James Donald, in his sociology of the city imaginary, says that cinema has educated audiences across