Morality in O’Brien’s Going After Cacciato Essay -- Going After Caccia

Morality in OBriens tone ending After Cacciato tone ending After Cacciato, by Tim OBrien, is a book that presents legion(predicate) problems in understanding. Simply trying to figure out what is real and what is trick and where they combine can be quite a strain on the reader. Yet even more clouded and ambiguous are the larger virtuous questions raised in this book. There are many so-c anyed war crimes or atrocities in this book, ranging from killing a water buffalo to fragging the commanding officer. Yet they are dealt with in an almost offhanded steering. They be to become simply the moral landscape upon which a greater turn is played-- i.e. the gambling of running away from war, seeking peace in Paris. This trip after Cacciato turns into a morality play, the road Westward metaphor. As Dennis Vannatta explains, The appetency to flee may have begun as a reaction to fear, tho by the time the squad has reached Paris, Paul has nurtured and cultivated it until it has be come a political, moral, and philosophical statement (245). But what about the atrocities going on all the time? How could they be ignored in the face of this larger drama? As Milton J. Bates puts it, although Going After Cacciato is not atrocity-based in the manner of frequently Vietnam War autobiography and fiction, it does record incidents in which Vietnamese civilians are vanquish or killed and have their livestock and homes destroyed (270). This book has an almost offhanded-like way of dealing with these My Lai-like atrocities. Why? Whats going on here? Well, one social function that one must take into consideration is the authors aim. As quoted by herds grass J. Lomperis at a conference, OBrien has said, For me, the purpose of writing fiction is to explore moral quandaries. The... ...ving dreamed a marvelous dream, I urge you to step boldly into it, to join your dream and to live it (OBrien 284). Thoughts lead to actions. But dreaming is similarly doing. The act of imag ination can sometimes have more spot than any technological weapon. It is imaginations that stop wars. It is prowess fulfilling its role in society. It is art that brings the moral issues. It is art that makes us human. Works Cited Bates, Milton J. Tim OBriens Myth of Courage. Modern fictionalization Studies 33.2 (Summer 1987) 263-279. Lomperis, Timothy J. Down the Slippery Slope Tensions Between Fact and Fiction. interpretative Critique. OBrien, Tim. Going After Cacciato. New York Dell, 1978. Vannatta, Dennis. Theme and Structure in Tim OBriens Going After Cacciato. Modern Fiction Studies 28.2 (Summer 1982) 242-246.